To ease access to largely publicly funded computing research, @TheOfficialACM@twitter.com opens digital library for limited time of 3 months and has the guts to call it .

To me this looks a lot like opportunistic coronawashing. Do the right thing and keep it open. I'd join again.

RT @TheOfficialACM@twitter.com

Message from ACM Regarding Open Access to ACM Digital Library during Coronavirus acm.org/articles/bulletins/202

🐦🔗: twitter.com/TheOfficialACM/sta

RT @InfoPlusConf@twitter.com

On a more positive note: the special issue of the Information Design Journal with contributions by presenters of Information+ 2018 in Potsdam is now online!

benjamins.com/catalog/idj.25.1

A big thank you to our wonderful contributors and reviewers!

🐦🔗: twitter.com/InfoPlusConf/statu

Paris museums @parismusees@twitter.com just released over 100'000 artworks with high-res images under a CC0 license!

hyperallergic.com/536360/image

I hope Berlin museums feel inspired and follow suit. Maybe @museum4punkt0@twitter.com could be a catalyst…

RT @sharoz@twitter.com

UPDATED: Open Access VIS 2019
oavis.org

A collection of accessible papers and research materials for VIS 2019. Includes the reviewing track and clearer labels for the badges.
Thanks to @_mcnutt_@twitter.com and @jamesscottbrown@twitter.com for helping!

🐦🔗: twitter.com/sharoz/status/1186

RT @uclab_potsdam@twitter.com

Fresh from the press: @DHQuarterly@twitter.com article »Narrelations — Visualizing Narrative Levels and their Correlations with Temporal Phenomena« by @hannahswn@twitter.com, Janina Jacke, @RabeaKleymann@twitter.com, @HerrStange@twitter.com & @nrchtct@twitter.com is now up!

digitalhumanities.org/dhq/vol/

🐦🔗: twitter.com/uclab_potsdam/stat

RT @EllenEuler@twitter.com

Das Land verfügt seit heute über eine Open-Access-Strategie. Darin kündigt es u.a. die Gründung einer Vernetzungs- und Kompetenzstelle für an. Die CC0 lizenzierte Strategie enthält @permacc@twitter.com Links & ist dauerhaft abrufbar unter: doi.org/10.5281/zenodo.2581783

🐦🔗: twitter.com/EllenEuler/status/

learning from Jennie Choi about impressive efforts at @metmuseum@twitter.com as a CSV file github.com/metmuseum/openacces

with interesting follow-up work on collection's evolution:
fivethirtyeight.com/features/a

and relation between gender and medium:
churc.github.io/MajorStudio1/

FTW!

Thank you, @FILWD@twitter.com, for raising these questions about in good faith.

Could anyone with more OA chops than i jump in and fill in the blanks?

/cc @EllenEuler@twitter.com & @dielindada@twitter.com

Show thread

after difficult deliberations, i have just declined the kind invitation to this year's program committee of .

from now on, i will refrain from volunteering for conferences or journals that have not moved to an model.

i hope @ieeevis@twitter.com will do so soon

RT @UCLab_Potsdam@twitter.com: explore this growing aggregation of numismatic collections held by German universities in the COINS visualization: visualize.numid.online 💰

if you're curious about the strange arrangements, read our paper: olh.openlibhums.org/articles/1 📃

post-

🐦🔗: twitter.com/UCLab_Potsdam/stat

in other news: our paper about the coins project is now published as an article: doi.org/10.16995/olh.280

kudos to @flaviogortana@twitter.com @fvont@twitter.com @ElaGuhlmann@twitter.com and thanks to @WeisserBernhard@twitter.com & team!

Show thread

RT @openlibhums@twitter.com New article published in the @openlibhums@twitter.com Remaking Collections,
"Off the Grid: Visualizing a Numismatic Collection as Dynamic Piles and Streams" by Flavio Gortana, Franziska von Tenspolde, Daniela Guhlmann and Marian Dörk: doi.org/10.16995/olh.280 .

🐦🔗: twitter.com/openlibhums/status

RT @MadameKreis@twitter.com: Just published my article with @openlibhums@twitter.com: Remaking Collections
Between Re-production and Re-presentation: The Implementation of Photographic Art Reproduction in the Documentation of Museum Collections Online: doi.org/10.16995/olh.273

🐦🔗: twitter.com/MadameKreis/status

vis.social

vis.social is an open social platform for creative people, especially anyone in sciArt, data, visualization, creative coding, and related arts and research. English is the common language of the instance.